Okay, I'll bite. Luis Milan 1536

Started by lemgandi, February 16, 2010, 07:34:12 AM

lemgandi

pav7luismilan
Time:
0:00
Volume:
50
0
This is a sample of the early music I've been experimenting with. It's a pavane (a slow dance) written by Luis Milan in 1536, probably for lute.   

lg

nothing is real... So theres nothing to get hung about!

Wiley

This was very nice!!  I love the sound of flutes of any kind!!

Greeny

I'm glad we have real diversity on this site. This is done very, very well. Proper roots music! We had a songcrafter called Jackofall who used to go down this kind of route now and again (where are you Jackofall?!). Beautifully played and recorded, and, dare I say it, a bit too short!

Oldrottenhead

love when the tambourines come in really authentic sounding olde worlde
whit goes oan in ma heid



Jemima's
Kite

The
Bunkbeds

Honker

Nevermet

Longhair
Tigers

Oldrottenhead
"In order to compose, all you need to do is remember a tune that nobody else has thought of."
- Robert Schumann

scottieD

Hear ye! Hear ye! This is verily and wholeheartedly a most engaging performance...now what has the wench done with my Mead?  Wench!! ;D




recorder
Boss BR-800
   Okay to cover...not sure why you'd want to though...

Bluesberry

Yeahhhhhhhh I love this kind of thing.  Wonderful.

Alternate Tunings: CAUTION: your fingers have to be in different places
 
recorder
Boss Micro BR
recorder
Boss BR-80
recorder
Boss BR-1200
recorder
iPad GarageBand
        

cuthbert

Very beautiful...are those recorders?
recorder
Boss Micro BR
recorder
Boss BR-80
recorder
Boss BR-800
                                        
recorder
Adobe Audition
recorder
Cubase

corryhully

great stuff. very authentic sounding. milan composed for Vihuela, a kind of ickle guitar. i know this piece for guitar and have to say i prefer your version. keep up good work.  ;D

lemgandi

Huh! Thanks for the kind words.  Yeah, this piece is recorders.  This was the first time I really used the pan and volume knobs on the various tracks to try to separate the different parts. All of them are recorded through a stereo mic plugged into the "EXT" port and clipped to my music stand. Working with multitrack is a great way to improve my ensemble playing skillzz I'm thinking.

I'm still pretty much learning about the multitrack gizmo (it is an MBR). I can do bounce and mastering, but I haven't figured out punch in//punch out yet. Plus I'm not sure if that's really the route I want to take. That means that all of these are done in one continuous tacke, which limits their length due to my significant shortcomings as a musician. That, of course, is what I'm trying to improve. 

Glad for the responses though. I listen to a lot of pop music when I'm practicing my juggling -- I reckon I will have to try to figure out how to tie that habit in with some of the stuff y'all are posting.