? tHe OsCkILo tReAtMeNt ? (Doctor....We're loosing him!!!!) With BOOGNISH

Started by OsCKilO, May 11, 2009, 02:12:13 PM

Ferryman_1957

I still love this - can you tell us how you did it? Inquiring minds want to know.

Cheers,

Nigel

Jim1970

Good stuff, Its got that Smack my BITCH UP type vibe to this , whats that name of that band Again?  Every new piece you guys do is been great!!

JIM
Now on SoundClick and Reverbnation
http://members.soundclick.com/jmarciniec1970
http://www.reverbnation.com/jamesmarciniec
recorder
Boss BR-80
recorder
Boss Micro BR

Boognish

Thanks for all the comments. 

Basically for the original version, I used this keyboard...

...for all the scratchy, distorted, skipping sounds.  As you can see, it is a bit of a work in progress.  It looks more complex than it is.  The wires all are soldered directly to points on the circuit board inside.  When the wires, (the points on the circuit board) touch and are connected, it distorts the sound.  Some can be altered by going through a potentiometer (the knobs on the top).

For the high pitched squeals and blips I used this guy...


...it is the circuit board taken out of an old amplifier that came with a bass guitar.  I just touched or held down various spots on the circuit board while turning the potentiometers (usually on the front of the amp).  I used the regular line out of the amp into my MBR.  I would suggest not to mess with one unless you don't mind ruining it, though.  Mine shocked me and I dropped it and broke the corner.  I blew out a second amp and decided to stop.

There are also two guitar parts that went through an amp and into my MBR.  I already had the 2 noise tracks recorded first, but just wanted enough of a tempo and song-type arrangement to give it some structure. 
Then OsCkILo gave it the business and warped it even more... 
Okay to cover.

StevieM

Kraftwerk/Vangelis/Tangerine Dream/+/+/+  but all you. Great.
I always say, if I can leave somebody happy and smiling at the end of the day-----I've completely f*cked up!!

Satchwood

Wow, this does alter my internal ear drum center of gravitiy with the swirling & panning - I couldn't listen to this and walk a straight line  8)  Very Creative OsCkiLo!
www.reverbnation.com/Satchwood
www.myspace.com/Satchwood
www.soundclick.com/Satchwood

"Sometimes It's Not How Fast You Move, But How Soon You Get There" - Bruce Lee

Tools: Kramer Strat, LP Deluxe, Avalon 12-string, Ibanez Bass, Yamaha Keyboard, Micro BR, Riffworks, Line 6 UX2, & a little Ableton & Audacity for grins :~)

OsCKilO

Quote from: Boognish on May 12, 2009, 10:46:49 AMBasically for the original version, I used this keyboard...

...for all the scratchy, distorted, skipping sounds. 



I Knew it was a F**ked up Monster that made those noises!!!!!!


You are ............ Made for the dark world of drum and base!!!!!!

We enjoyed working with your sounds......


Mad scientist + F**king Genius!!!!!!


You ain't right Mate!!! But all there at the same time!!!!!!
(London saying – descriptive/compliment)


Peace

T (Osckilo)

P.S

WTF!!!!!!  WTF!!!!!!  WTF!!!!!!!!! :o :o :o :o :o :o

hold on......


W!!!!!  T!!!!!! F!!!!!!

(I feel dirty now.......  That poor Keyboard!!!!! :'()
recorder
Boss BR-80
recorder
Boss Micro BR
OsCKilO websites:  weebly.com  MySpace  SoundClick  ReverbNation
OsCKilO Albums:  "Masks"  "Easy London"

Also on Twitter for Live stuff..
Divert and sublimate your anger and potentially virulent emotions to creative energy


Wiley


Pine

cool soundtrack!...i visualize an arcing Jacobs Ladder, a small hunchback helper scurrying about the la-bore-a-tory and all kinds of beakers emitting colored gases. This needs a video!
Pinedog  8)
recorder
Boss BR-1200
           

OsCKilO

recorder
Boss BR-80
recorder
Boss Micro BR
OsCKilO websites:  weebly.com  MySpace  SoundClick  ReverbNation
OsCKilO Albums:  "Masks"  "Easy London"

Also on Twitter for Live stuff..
Divert and sublimate your anger and potentially virulent emotions to creative energy


Bro

Wow, almost missed this one, sure glad i didn't

Great job, i really enjoy all your posts! Love it!!
If you loose track over a chord progression, play as fast as you possibly can. Nobody will know. Thats how they invented bebop.