looking for advice on home studio monitors.

Started by Oldrottenhead, March 20, 2016, 01:34:49 PM

Oldrottenhead

heart of the sunrise always got me at an emotional level, my aunt and her husband and daughter lived with us a few weeks before emigrating to Australia and i always associated that song with them,the lyrics conjure up images of them on the cruise ship that took them there.
whit goes oan in ma heid



Jemima's
Kite

The
Bunkbeds

Honker

Nevermet

Longhair
Tigers

Oldrottenhead
"In order to compose, all you need to do is remember a tune that nobody else has thought of."
- Robert Schumann

Hook

1973 was a good year!

I picked up some JBL 3s the other day and boy they sound sweet. I've been having a lot of trouble mixing my new cd and really felt like my cheap monitors and my headphones were lying to me. Hopefully the JBLs will be truthful.
https://www.bhphotovideo.com/bnh/controller/home?O=&sku=1027071&gclid=CLngkaHYis8CFQgfhgodIJIOHA&is=REG&ap=y&m=Y&c3api=1876%2C52184621642%2C&A=details&Q=

recorder
Boss BR-80
recorder
Boss BR-800
Because the Hook brings you back
I ain't tellin' you no lie
The hook brings you back
On that you can rely

leighelse

Drifting tangentially away from the topic ...

I was very lucky to pick up a pair of Lambert Audio studio speakers twenty years ago. At the time they needed re-coning and the tweeters were blown, but they were free to me. I'd be surprised if anyone else on Songcrafters has heard of Lambert - it was a New Zealand company which hand-made outstanding (and extremely pricey) speakers in the eighties and nineties.

It cost me a total of NZD500 (roughly two flat rocks in your currency) to fit replacement dome tweeters and have the drivers factory re-coned. And they've been fantastic: they show up every flaw. They are a little large, and the cabinets are somewhat marked, but I have no plans to replace them. I found a review of the speakers here: http://www.audioreview.com/cat/speakers/floorstanding-speakers/why-products/lambert-audio/prd_486476_1594crx.aspx

With these in my studio space, I make a lot of use of the BR1600's speaker modelling when I'm mixing down. A trick I learnt early on when mixing is to turn the volume down well below comfortable listening: you're quickly aware of what you can't hear. This is particularly true when using some of the speaker modelling settings.
Dueling BR1600s. Beats banjos.