classical guitar piece - Valseanna

Started by jackofall, January 01, 2009, 10:02:44 AM

jackofall

valseana
Time:
0:00
Volume:
50
0
This tune is the middle movement between two absolutely impossible to play movements. The whole composition is called Aquarelle - which is a water colour technique, apparently. The guitarist Gary Ryan plays the whole thing it on his CD 'Latin Temperament'. I had lessons with him many years ago - an awesome player and now prof of guitar at the Royal College of Music.

If the human brain was simple enough for us to understand, we'd be so simple, we couldn't...

tafka

and if the sun should fail to rise against my
shoulders one last time...

berkly

That is a very smooth sound you got there.  Woah, I just loved it!

Congrats!
B~FRESH   
I will sing if somebody needs a singer!!!

jackofall

Many thanks! I've recorded quite a few classical guitar tunes - I'll put some more on if people like it.
If the human brain was simple enough for us to understand, we'd be so simple, we couldn't...

Flash Harry

So serene. I will have to look for the CD. I'm a fan.

Well played. I love it.
We are here on Earth to fart around. Don't let anybody tell you any different
- Kurt Vonnegut.

AlchemyMN

Excellent song and playing.

Can you give specific settings on how you got this recording?  Sensitivity, volume, mastering details, etc.

jackofall

Many thanks. I think I just put the sesitivity to maximum and then added loads of reverb after recording it. I always seem to use the 'Jingle mix' or 'live mix' when mastering as they sound so bright for the classical guitar. I just twiddle with the knobs until it sounds the best it can.

If the human brain was simple enough for us to understand, we'd be so simple, we couldn't...

Bluesberry

Wonderfull.  So many different musical styles represented on this little site.  Really well played.

Alternate Tunings: CAUTION: your fingers have to be in different places
 
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AlchemyMN

Quote from: jackofall on January 22, 2009, 06:45:48 AMMany thanks. I think I just put the sesitivity to maximum and then added loads of reverb after recording it. I always seem to use the 'Jingle mix' or 'live mix' when mastering as they sound so bright for the classical guitar. I just twiddle with the knobs until it sounds the best it can.

That makes sense.  How far away do you position the mic?  Do you ever add a direct signal?

Greeny

I missed this one before. It's beautiful. Sent me off into a dream...  :)